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Wednesday, July 1, 2015

Time is of the Essence:

'Or some of those that fly so high' Oil on canvas 48x50 2014
Julyan Davis Murder Ballad Collection,
New York, NY 2015, innovation transcends the likeliness of people in the art community. Artist, struggle to design original work, respect their crafts, and still manage to put food in their mouths at the end of the day. Issues remains clear, that; an artist has to make a choice of sacrificing ones tangibles for another's, in this situation, the circumstance, is conforming to industrious means of art-for-money, and managing to still have originality; avoiding intellectual infringements that come with the trade.

Like a canvas, which depicts a Jesus on a crucifixion in a certain era, to describe its time of development, today's modern art, where advertising agencies hire illustrators, to portrait, events, or holidays, like the Forth of July, where fireworks are modified through computer technology, the confirmation thresholds through applying a sequence, which takes away from what inspires ones creativity conforming to developing a mnemonic commonality of time for money.


In this essence, the public receive messages through mediums, like; magazines, or web stories by mobile. Innovation takes its part by what is trendy and acceptable momentarily. Where one art is the best at one point, its high-point can diminish to the people, becoing less favorable.

Words has ways with words, in art, as the vernacular of choice changes by groups, possibly cultures, enacting dialogue to the public, as well as music, as sound-a lifestyles captivate listeners, who enact these characters for their own specific social likeliness to one another.

Some art collectors have fetishism, which doesn't pay the scale amongst, the rest of public purchases on a supply chain to consider salary.


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Holiday's like Independence Day, allows a sneaker designer, and a corporation to cooperate on a selective shoe with the American flag on it, where a Picasso is hard to find, and only one. The rate of pay, conforms an artist to work among the term "salary", rather than creativity. That is the duty of a union, which then serves an altering art, to establish a base for people of the like and distribute a resonance of qualities to be utilized and then acceptable to the public, to create a system of demand and equilibrium, for salary.

Within these constructs of innovation, art today is eclectic for salary. A google download from Google to Facebook, threatens the pay rate of an artist, but transitions sales of innovation, enough to allow a public to become familiar with art styles, to find a publics liking. One, art which become mundane to a public at one point, is resurged by a nouvelle facsimile version, which oddness is embellished in an overlapped simulacra. There, in the familiar essence, that popularity gains acceptance and gains a new acceptance. Tomorrow's art is photo shopped, recycled and systematized with the timing of how the public responds to likens and dislikes, to resurge taste, for the attention of revenue.

"The art market is almost like an insurgent of black markets' under the table scams. Hopefully, you run into an expensive work of art and strike it rich."

There isn't an art world with just canvas any longer, so an eye for good art is necessary in order to keep an ole fashion art world alive.

http://murderballadpaintings.com/2014/01/14/buildings/prettypolly/
'Would you take me Unkind?' Oil on canvas 40x108" 2012